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The House of Frozen Screams
When Liz and Nick Holland buy Wintergate, an isolated, long-empty Victorian seaside house, they believe they have found the perfect home. However, it isn't long before it begins to have an unsettling effect on Liz.
She hears the sound of crying babies in the dead of night, and a sinister presence seems to be stalking her, making her doubt her sanity.
Wintergate has a dark secret.
Something evil lives there, and Liz must unravel the house's twisted history before she becomes its next victim.
Role: Line edit
Written by: Paul Melhuish
Published by: Horrific Tales Publishing
Launching at: FantasyCon, 2018
High Cross has laid empty since World War Two. Deserted, abandoned.
Property developer Mark Grange had renovated the old village into a community fit for the twenty-first century.
As the first residents move in, an evil which has lain dormant stirs.
Lady Grey has woken. As human as sin but as eternal as the devil, Lady Grey enslaves the hearts and minds of these new villagers using their sins, secrets, fears and desires. And these new residents harbor some very dark secrets indeed.
Unless Mark can stop her, Britain’s Newest Village will become a hell on Earth.
About Your Future Enslavement That You Will Dismiss as a Collection of Short Fiction and Essays by Kit Power
Kit Power did not write this book. Sure, the stories and essays are his – 21 pieces culled from the very best of his fiction and nonfiction work of the last four years, including previously unpublished work – but as to the rest…Kit Power has no idea who (or what) K-POX is. Or The Ministry of Information, come to that. He doesn’t know what The Information War is/was, or when it is supposed to have happened. He has no idea at all why a book that appears to have been sent from the future is so insistent that his stories hold the key to recovering the history of that time. Kit suspects it may all just be an elaborate prank of some kind. Still, it probably wouldn’t do any harm to read it. Just in case…
You Will Grow Into Them
The world is a far stranger place than we give it credit for. There, in the things we think familiar, safe, are certain aspects. Our fears and desires given form. Moments that defy explanation. Shadows in our home.
In Malcolm Devlin’s debut collection, change is the only constant. Across ten stories he tackles the unease of transformation, growth and change in a world where horror seeps from the everyday. Childhood anxieties manifest as debased and degraded doppelgängers, fungal blooms are harvested from the backs of dancers and London lycanthropes become the new social pariahs. The demons we carry inside us are very real indeed, but You Will Grow Into Them.
Taking weird fiction and horror and bending them into strange and wondrous new shapes, You Will Grow Into Them follows, in the grand tradition of Aickman, Ligotti and Vandermeer, reminding us that the ordinary world is a much stranger place than it seems.
The Veil (Testaments I&II)
Some call it The Long Silence, others The Hush. Whatever it is, the world has gone quiet. No electricity, no engines, most of the people gone. There are survivors, small groups enduring as best they can in a seemingly abandoned world.
At night, the landscape glows with unnatural light. The stillness is broken by the desolate cries of the lost population, returning now to search for…no one knows what. What is certain, though, is that those they drag into the shadows do not return.
The Veil contains the final testaments of two disparate groups; a band of survivalists barricaded into a single block of an American city, and a young family hiding in a remote part of the English countryside.
But there are enemies among the survivors too, using the cataclysm to serve their own desires. If the end of the world can’t cleanse the human heart, what reason can there be to continue?
Something has happened to the world. People are going mad, the very foundations of society are crumbling… Only Adam Keller, testing a prototype environment suit, apparently remains safe – but for how long? Can anything be done, can any of it be reversed, before everything goes to Rot?
The latest post-apocalyptic tale from award-winning and bestselling author Paul Kane (the sellout Hooded Man, The Disease, The End of the End) presents a nightmarish vision of a possible future, blending social commentary with page-turning action. This is one that fans of The Road and The Walking Dead will really not want to miss!
This Twisted Earth
Role: Devised, compiled and edited in full; from Structural through to Line.
Written by: Adrian Tchaikovsky, Mike Chinn, Jess Nevins, Phil Sloman and others.
Published by: Six Minutes to Midnight
Purchase at: Six Minutes to Midnight or Amazon
The Past flows into The Future. The Present is our constant home. But what if all that changed? If Time became tangled, history would be… havoc.
Welcome to This Twisted Earth
A pulp-fuelled, shared-world anthology featuring brand new stories from Adrian Tchaikovsky (Arthur C. Clarke award-winner for Children of Time), Jess Nevins (Encylopedia of Fantastic Victoriana), Mike Chinn (Swords Against the Millennium / Starblazer), and nine more talented tale-smiths. This volume also features a stash of bonus material from Dion Winton-Polak – the world devisor, editor, and lunatic in charge of this ambitious project.
Sunny, with a Chance of Zombies
Role: Compiled and edited in full; from Structural through to Line.
Written by: Chris Bauer, Angeline Trevena, Louise Maskill, B.T. Joy and others.
Published By: KnightWatch Press
Purchase at: KnightWatch Press
KnightWatch Press is proud to present Sunny, with a Chance of Zombies: a sensational selection of strangely uplifting stories to help raise a smile at the end of the world. “This is gonna sound a bit weird, but do you think all people taste this good, or just zombies, or just this zombie?” Our authors have dug deep to bring you brand new tales of anarchy, heartbreak and revenge, leavened with a little bit of love, life and laughter. Within these pages you’ll find a variety of zombies, from the classic Shamblers to the Working Dead and the sentient Other. Ranged against them are a motley bunch of survivors. Some will take cynical advantage of the situation whilst others try to build a better life in the dead new world. “Pop bought me my first zom when I was eighteen. She was a real bitch; wiry and evil, and she won me a few races before her left leg dropped off and she couldn’t race no more.” We’ve got all sorts waiting in store for you here, from necromancy to technomancy; savagery to comedy; lovers, liars, looters, and the very tenderest of tragedy. All in all, the outlook’s good.
‘Courteous, professional, thorough – Dion seems to instinctively grasp that the role of a good editor is to help shape and hone the text into the best it can possibly be. Unafraid to make bold suggestions, he’s also deeply responsive to a writer’s vision and voice. Working with him on my frankly bloody awkward collection …
‘There was never a change without a valid justification and you were open to dialogue which ended in a mutually approved draft. You were quite insightful and enthusiastic. The enthusiasm counted for a lot and eased the sting of any criticisms or change requests. All your changes seemed well-informed and came from a place with …
‘As an editor, Dion is possessed of a keen eye for detail tempered with a loving grasp of the narrative whole. His passionate editorial approach is driven by the uncompromising desire to facilitate a finished work that is both as accomplished and complete as possible. Unlike other perspicacious and gifted editors of my experience, his …
‘This is my first time working with an editor and you made it a very pleasant experience. I thought the editing process would be a bit overwhelming, but you made it manageable and relatively stress-free.’
‘This was my first experience with an editor (outside of academia), and you made it a pleasant one. I was worried that things would be changed without my permission, I wouldn’t get a final say in things etc. and you took those fears away. I procrastinate and am anxious by nature, but the process was …
‘You went into a level of detail that I hadn’t experienced before, which was difficult for me as my confidence is paper thin, but you dealt with it in such a way that I wanted to improve, and kept coming back for more! You were also far less dictatorial than it seems a lot of …
‘I must say that the biggest thing for me has been how personable and approachable you are (both via email and social networking) which is really important. You feel like a real person, rather than a red pen! I found your editing both sympathetic and strict, which is exactly the balance it needs to be. …
‘The thing with Dion is that his passion and enthusiasm shows through in every project he works on. From conception to final proof, his level of dedication is second to none.’
‘It was fun. Glad to say, it wasn’t too traumatic. I knew there were likely to be a few tweaks to help continuity (since I was submitting to a shared world book that was evolving all the time) but you also made suggestions that strengthened the story on its own merits.’
‘Dion proves himself very thorough and accurate in his work with us and has shown a particular sensitivity to and respect for the author’s work. His enthusiasm for the project is coupled with his professional manner and reliability with deadlines.’
‘Dion promises to help an author make their work the best that it can be. He achieves this through an excellent understanding of the writing process, plot, characterisation, and pace. Dion has an eye for details, picking up on small facts and inconsistencies to make it all the more believable. He balances the need to …
‘I’m amazed this is your first go as an editor. I’ve been impressed by the speed and precision of your responses, the organizational abilities displayed thus far and the excitement for the project you convey to all participants. I can honestly not think of a single interaction which could’ve been improved upon.’
‘I hate editing – I tend to put it off for ages. I’ve had other edits done on short stories I’ve published but they have largely been cosmetic changes and have certainly not been such a collaborative process. I was worried that I’d feel a bit ‘precious’ about making changes but your comments were so …